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Showing posts with label Oil Painting. Show all posts
Showing posts with label Oil Painting. Show all posts

Saturday, August 6, 2011

Basic Oil Painting Techniques


Impasto Painting by Van Gogh
Fat Over Lean

One of the fundamental concepts of oil painting. Fat oil paint is oil paint coming straight from the tube. When mixed in oil, it becomes even fatter and increases the length of time it takes to dry completely. Lean oil paint is oil mixed with more turpentine than oil, or oil paint mixed with a fast drying oil. Lean oil paint dries faster than fat oil paint.

Lean layer of paint is vulnerable to cracking when the fat layer dries underneath it. Paints underneath a newest layer absorbs oil from the layers above it. Therefore, in building layers, oil paints should be a little fatter than the previous one of of greater proportion of oil in it.

Glazing

This technique produces amazing effects to a painting. Glazing is the application of thin colors over a dried under painting. Usually, a dark color paint over a lighter one.

The secret of glazing is to use extremely thin paint. Sometimes, it takes a lot of glazes to do in building up a color to the proper intensity.

Slowly build your colors and tones. Let the paint dries on each application of layers of paint. In this manner, you can easily wipe off new paints if an error is made. In the event that the applied color is too strong, this can easily be mopped off with a stiff bristled brush without destroying the previous dried layer of paint.

With really thin paint application, the opaque colors will appear translucent, almost like transparent. Use opaque colors on the first glazing layers.

One thing to remember is that glazing may not be applied to the whole painting. You can do glazing in a few objects in your painting just to give more depth to your colors.

Scumbling

This technique is somewhat similar to glazing but done in the opposite manner. It is a thin layer of light opaque paint scumbled over a layer of dried dark paint.The result gives a sense of depth and color variation to an area.

A really thin layer of an opaque paint softens an area of a painting, giving a misty effect or almost out of focus look. This is typically used in background objects. However, too much scumbling with thick opaque paint will result to a flattened sense of depth.

Beams of light is painted with the application of a scumbling technique.This is also useful in creating a glowing effect to accentuate an object.

Alla Prima

Alla Prima or "direct Painting" is a technique of painting directly on the canvas with no under painting. This technique was pioneered by a Flemish painter, Frans Hals.

Painting is usually done in one sitting without waiting for the paint to dry. Most modern painters uses this technique but you have to have a lot of confidence and a quick hand with this method.

Palette Knife Painting

Oil paint application with the use of a palette knife is pretty like much spreading a peanut butter on a bread. This is best for producing textured, impasto effect. Impasto is an application of thick paint (like a toothpaste) to provide a texture on the surface.



Related Article: Oil Painting
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Oil Painting

Oil Painting is a type of paint that is slow  drying. While water is used for aquarelles (watercolor) and acrylics, linseed oil is for oil paints. To increase glossiness of the dried film, a turpentine or white spirit and varnish may be used.

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Oil  paints are thick and come in tubes. It usually takes three days  before you can apply another coat or layer because of its slow drying properties. When it dries, new colors can be applied over the painted surface. One thing good about this medium is that you'll have enough time to refine the paint before it dries especially when making gradual transitions from one color to another. If you made a mistake, it can easily be removed by scraping carefully the paint off the canvas with the use of a clean stiff brush, a palette knife or a rag.

The only disadvantage with oil paints that I see is the possibility of cross-contaminating another color when not applied accurately.  Therefore, strokes on the edges of your sketched object must be handled carefully to avoid from getting over to the next wet object you're done painting with as colors may join together.

Mostly, oil paintings are done in canvas but, traditionally, this is made out of linen. Other artists nowadays who are more experimental use different types of fabrics or even marine plywoods prepared and surface applied with a white latex paint. Art stores offer a ready to paint canvas, framed in wood, that comes in different sizes.

Oil Paints vs Acrylics

  • Oil paints have more pigments that allow richer and vivid colors.  Acrylics lightly darkens as they dry but oil paints do not.
  • Oil paints are of slow drying properties while acrylics with quick drying.
  • Oil paints are used with a linseed oil, water for acrylics.
  • Turpentines or Mineral spirits are used for cleaning brushes with oil while Acrylics with water.
  • Oil paints are quite expensive compared to Acrylics, at least, depending on the brand being used.

Which is the right one for you?

This really depends on you. If you are a slow painter, I would recommend using Oil paints or if you are a quick one, Acrylics are best for you. It doesn't really matter which one so long as you are comfortable with your chosen medium. You may use cheaper ones for practice.

Oil paints may be expensive for beginners, however, you'll have fun practicing with color blending and transitioning. More or less, the principles are the same with any other mediums but with Oil paints, you'll just have more time to correct and adjust the paint of an object you are working on. 

I have tried using different mediums but I enjoyed practicing with Oil paints when I was just starting. I can leave my project anytime and resume painting at a more convenient time.

Getting started

You can directly draw on canvas but may find it difficult with its texture when pencil or charcoal is used. You can also prepare your drawing on a large sheet of tracing paper and transfer it to the canvas. You can do this by smudging your pencil or charcoal at the back of your paper, place the paper on top of the canvas and trace the lines of your drawing. You may lose your sketches on canvas in the process, therefore, it is advisable to seal your drawing with a fixative before you start applying Oil paints.

Another method when drawing straight on canvas is to use paints that's thinned with a thinner. Because it is a paint you are using, it does not need to be isolated from subsequent colors.



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